Update: Signal to Noise

In 2023 I presented ‘Signal to Noise’ at Canberra Contemporary Artspace (CCAS), combining previous works with a series informed by my ANAT Synapse research.

Signal to Noise, 2023. Installation view, Canberra Contemporary Art Space, 2023. Photograph: Brenton McGeachie.

The major new work, ‘Sent to the sky, received from the stars’ is a military surplus parachute printed on using the cyanotype process. It creates a composite of perspectives of looking up and down to and from satellites, in a form that alludes to position of orbital space as instrumental in both weather, and war.

Sent to the sky, received from the stars, 2023, cyanotype on parachute, nylon, silk, dimensions variable. Installation view, Canberra Contemporary Art Space, 2023. Photograph: Brenton McGeachie.

The printed imagery creates a composite of satellite streak images found in the Stromlo Observatory Skymapper database and are classified as contaminated data, and decoded signal received from NOAA weather satellites.

Here, combining the images taken from the planetary perspective of the satellite’s gaze with images containing artefacts left by satellites in astronomy sky surveys questions the duality of the satellite to both produce and obstruct environmental data.

Signal to Noise, 2023. Installation view, Canberra Contemporary Art Space, 2023. Photograph: Brenton McGeachie.

Tim Riley Walsh wrote an excellent catalogue for this exhibition which is online here: https://issuu.com/ccas_canberra/docs/anna_madeleine_raupach_-_catalogue

A huge thank you to CCAS and the Mandy Martin Art & Environment Award from CAPO and CLIMARTE for supporting this show.

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